Play Readings & Auditions

Auditions:-

Our autumn 2018 production will be Pygmalion by George Bernard Shaw.

 

Auditions will be on 23rd & 24th July  at The Cornerhouse, Bath Street, Frome from 7.30 onwards.

 

As the above dates are during the holidays, an extra audition for those who cant come to the first slots will be held on 6th August from 7.30 also at The Cornerhouse.

 

A character list is shown below. If you want any more information then our director, Simon Blacksell, is very happy for you to email or ring him.

 

Email: simonblacksell@yahoo.co.uk

Phone: 01225 865031

 

Professor Higgins is a scientist passionately interested in everything that can be studied as a scientific subject. He is a bachelor in his mid-forties. Perfectly genial when things are going his way but prone to tantrums when they are not. He remains likeable even in his least reasonable moments.

Colonel Pickering is older than Higgins, much more reasonable and level headed but equally hopeless when it comes to the question of how to treat the opposite sex. He sees them as objects to be treated at all times with due courtesy but by no means equal.

Freddie is an upper class twit. He is in his twenties, romantic and easily led and certainly no match for a strong and determined young woman.

Eliza a very poor flower seller of about 18 pretty and resourceful. She is in no doubt as to her worth, even before she is "moulded" into a gentlewoman by Higgins. She has had to cope with a difficult father all her life. Higgins infuriates her but she is also attracted to him, in spite of the difference in age.

Alfred Dolittle, Elisa's father is an elderly but vigorous dustman. He has interesting features which suggest that he could have done better for himself with a proper education. He has a not unreasonable high opinion of himself. A self-confidence also inherited by his daughter.

Mrs Pearce has an important part in the play. She runs Higgins house and is by no means intimidated by him. Her sympathies are entirely with Eliza and she does all she can to protect her charge from being exploited by the two men who are only interested in the challenge of changing a flower girl into a society lady.

Mrs Higgins is Henry Higgins mother and a formidable lady. She is indifferent to her son's bad behaviour and totally in tune with Eliza's plight.

 

                                                                                                                                                   

Play Readings:-

Our monthly play readings usually take place on the second Monday of the month and are held upstairs at The Cornerhouse situated at the top of Bath Street, Frome. Readings start at 7.45 p.m. prompt,  so arrive in good time to get a drink at the bar and head upstairs for a great evening. You don't have to be an FDC member to join in, and there's no pressure to read if you prefer just to listen...

August  2018

As usual, no reading in August, culture vultures, but enjoy your summer, and put September 10th in your diary,  when we'll reconvene for an autumn season of to-be-confirmed readings.

16th July  2018

Before our summer break, we'll squeeze in one more reading; Dennis Potter's Blue Remembered Hills. Originally produced in 1979 as a BBC Play for Today, it is perhaps the most accessible of his remarkable output, and a GCSE set text. In The Forest of Dean in the summer of 1943, we follow seven children as they while away an afternoon, playing, bickering, fighting, and goading each other. We are invited to see their aggressions, fears, and rivalries as a microcosm of adult interaction, whilst questioning any preconceptions we might have about the innocence of childhood. Deceptively simple, the play can be both funny and chilling, and much of its impact derives from Potters direction that all the children are played by adults. The adult body, he said, acts as a kind of magnifying instrument which reminds us more of just how mobile and swift movement is in the childhood world, and yet how long time is". All welcome, to read, or listen, and to say hello to John Palmer, who will direct the play for us 2019.

June  '18

Albion, the latest by Mike Bartlett, currently riding high on the success of  King Charles III, and Doctor Foster. With its state-of-the-nation concerns, wrapped up in an unfolding family drama, and clear nods to Chekkov, Shaw, and Tom Stoppard's Arcadia, we found this a timely play. As the world changes around us, what should we hold onto? what should we let go of? 

May  '18

Fast assuming the status of a modern classic, Conor Mcpherson's The Weir is set in a small bar in the west of Ireland, where a small group of locals pass a stormy evening spinning haunting, ghostly tales for a young woman from Dublin. Although we get the sense they have told their stories many times, the retelling reveals much about themselves, their loneliness and private anxieties, and the rural community they inhabit. As the drinks go down, the humour and banter grow a little darker around the edges, and then the visitor tells her own story. Each time we read an Irish play, the accents seem to be a little bit better...

April  '18

George Bernard Shaw's Pygmalion, the story of Henry Higgins, a professor of phonetics, and Eliza Doolittle, the flower seller he thinks he can pass off as a duchess, is our Autumn production this year, and our reading of this 20th century classic drew a big crowd. Hopefully the production will, too...Running a little late, we had no time to read Shaw's postscript, written to correct certain misassumptions about What Happened Afterwards. If you'd like to read it follow this link.

March  '18

By popular request, another evening of dramatic monologues. A score of performers brought life to characters from Pinter, McDonagh, Bennett, Webster, Bovell, and many more. We learnt, laughed, and cried, and were entertained and terrified in equal measure. And yes, we will do it again...

February '18  

We read poet Robin Robertson's modern translation of Medea, Euripides tale of betrayal and revenge, probably the Greek tragedy most frequently performed in the modern era. Still shocking, two and a half millennia after its first performance. 

 January '18

Our first reading of the year was Top Girls, by Caryl Churchill. First produced in the third year of Thatcher's premiership, it has retained its relevance as an examination of the price paid to gain power, and the price of powerlessness. With great dramatic skill, and an absence of heavy-handed dogma, Churchill raises questions of gender, politics, and personal choice. 

November '17

An entertaining reading of Graham Linehan's 2011 stage adaptation of Ealing classic, The Ladykillers.  In this delicious black comedy, a sweet little old lady, Mrs Wilberforce, is pitted against a ruthless gang of misfits, led by would-be criminal mastermind, Professor Marcus.   

October '17

A Voyage Round My Father, John Mortimer's emotionally delicate, autobiographical play about his blind, eccentric, Shakespeare-loving, barrister father, drew a good crowd of readers, including several welcome new faces, and gave us a good evening's entertainment.

September '17

Laura Wade's Colder Than Here, examines, with great tenderness, humour and sensitivity, how a family start to come to terms with the imminent death of the wife and mother, as they tentatively find new ways to communicate with each other.

June '17

We had fun with Patrick Barlow's Olivier Award-winning adaptation of John Buchan's classic, 1915 spy novel, The 39 Steps. The women were beautiful, the villains were deadly, the upper lips were stiff, and the accents cut-glass.

May '17

In this new era of "Fake News," Howard Brenton and David Hare's, Murdoch-inspired 1985 satire, Pravda, turned out to have been prophetically accurate, as well as highly entertaining.

April '17

Calum Grant led a reading of Richard Bean's highly successful One Man, Two Guvnors, which he will direct for the club in the autumn. Adaptated from Carlo Goldoni's Commedia dell'arte original, Servant of Two Masters, it relocates the action from 1743 to Brighton in the early sixties.  

 March '17

Instead of reading one play, we invited you to prepare a dramatic monologue to share, and enjoyed one of our busiest, and most exciting Monday nights. 21 pieces, all under five minutes, varying from Shakespeare to Victoria Wood, (and including several originals), all delivered with passion, humour and panache, to a very appreciative audience. Take note; we will definitely be doing this again, so why not start learning something for the next one, now

February '17

It's official; the Northumbrian accent really is the hardest to reproduce, particularly for the soft southerners amongst us. Hats off, then, to the readers who made such a good job of Lee Hall's moving, and very funny, The Pitmen Painters,  the true story of the Ashington group of coalminers who achieved artistic recognition in the 30s and 40s, and now have a permanent gallery dedicated to their work.  

January '17

We tackled Tony Harrison's The Trackers of Oxyrynchus. High and low culture, hilarity, horror, and Yorkshire accents - but we stopped short of the clog dancing and the extravagant phallii.

November '16

Our last reading of the year was Henrik Ibsen's deeply weird late masterpiece, The Master Builder. 

 October '16

By popular demand, we returned to, (and still didn't finish), Craig Taylor's One Million Tiny Plays About Britain, acting out a bewildering, and highly entertaining cast of characters and situations. 

September '16

We read two of the many radio dramas Louis MacNeice created for the  BBC, cited as "the best creative work done for the medium in its twenty year heydey, before television captured the audience."

June '16

We enjoyed Tartuffe, in Roger McGough's jolly verse adaptation, which finds every drop of humour in Moličre's tale of a family divided by the devious, titular interloper.

May '16

"Unarguably one of the best dramas of the twenty-first century," said the Guardian, and Jez Butterworth's Jerusalem didn't disappoint an enthusiastic crowd of readers, who relished the strong characters, (and the Wiltshire vernacular).

April '16

Half a dozen of us gathered to read Caryl Churchill's Cloud Nine; a surreal, frequently very funny and forthright exploration of colonialism, sexual repression and conditioning, in which wives are played by men, and sons by women.

March '16

Alan Bennett's adaption of Kenneth Grahame's classic, The Wind in the Willows, gave us a great evening's entertainment, and many thought it a candidate for a future production. Particularly memorable was the whole cast's redition of "In the Bleak Midwinter" - as fieldmice... 

February '16

With David Riley planning to direct Peter Shaffer's The Private Ear as our summer festival production, we read it with its usual companion piece, The Public Eye. They're bittersweet comedies, exploring the tension between order and passion. 

January '16

A Month in the Country by Ivan Turgenev. We read the Emlyn Williams version. This 'passionate, moving comedy', which is on our list of possible future productions, contrasts the genteel languor of country life with the desperate passions beneath the surface. 

November '15

We enjoyed Craig Taylor's One Million Tiny Plays About Britain, a collection of vignettes, each no more than a page or so long, funny, poignant and thought-provoking in turn. As we only got about half way through, there was a general feeling that we would return to these in 2016.

October '15

Harold Pinter's once reviled, now revered, The Birthday Party was led by Cheryl St George, and prompted some interesting discussion

September '15

Steve Scammell led us through The Tempest, which he will direct for the club in Autumn 2016. Shakespeare's late masterpiece offered plenty of magic, humour and some imaginitive characterisation. 

July '15 

Constellations, Nick Payne's award-winning two-hander about free will and friendship, quantum multiverse theory, love, death and honey, impressed us all. It's a short piece, packed with ideas, full of humour, and with a real heart to it. We introduced a suitably random structure to the reading...

 

June '15

A noble attempt to get to grips with J.M. Synge's interpretation of rural Irish vernacular, as we read The Playboy of the Western World, enjoying its rich mix of tragedy and comedy, and wonderful language.

 May '15

 A couple of dozen of us read Keith Dewhurst's adaption of Lark Rise in a variety of Oxfordshire-ish accents, enjoyed the music, sang lustily, and wondered how this would play in Frome as a promenade-style production.                           

April '15

 After a few hefty dramas, we lightened the mood somewhat.....with a tale of death and the supernatural! Noel Coward's 1941 perennial farce Blithe Spirit is currently on our list of possible productions so we took the opportuntiy to unleash a few hidden Madame Arcartis. It was a great read - who would've foreseen that!

March '15

 Keely Beresford led a reading of Thornton Wilder's American classic, Our Town. It was extremely well attended and very much enjoyed. One to watch perhaps in respect of future FDC productions.........

 

February '15

  Tina Waller led a reading of The House of Bernada Alba, the final, and aguably the finest of Federico Garcia Lorca's plays.

January '15

Laurie Parnell led a fast-moving, wildly funny and bitingly satirical reading of Accidental Death of an Anarchist by Dario Fo.

 November '14

Calum Grant led a reading of Say Goodnight to Grandma by Colin Welland, a wry modern comedy set in't North

October '14

We read Mrs Warren's Profession, by George Bernard Shaw, and thoroughly enjoyed this superb piece of writing and the sexual politics which inspired it.

September '14

We had an enormous turn-out for Henry Fielding's Tom Jones - almost ran out of chairs! A great read, obviously very popular, and bodes well for the Club's Spring Production next year.

 June  '14

There were 10 of us to read Amadeus by Peter Shaffer; an ideal number, which gave everyone a chance at the very demanding role of Salieri.  A thrilling evening.

May  '14

Another great turnout for Arcadia by Tom Stoppard, led by Laurie Parnell. 

April  '14

The Visit by Friedrich Durrenmatt, led by Mike Walker - an unusual and thought-provoking play; not to everyone's taste but we certainly appreciated the quality of the writing.

March  '14

Ring around the Moon by Jean Anouilh in the translation by Christopher Fry - very well attended and much enjoyed.

February  '14

Jump to Cow Heaven by Gill Adams. This reading of our 2014 Frome Festival production to be directed by Tina Waller gave us a foretaste of a great production later in the year.

January  '14

The Ruling Class by Peter Barnes occupied a record turnout of readers in the New Year.

November  '13

Comfort & Joy by Mike Harding got us well and truly in the mood for our own Christmas celebrations!

October  '13

We read and enjoyed Two Planks & A Passion, by Anthony Minghella.

September  '13

After our summer break we read Abigail's Party by Mike Leigh which will be our Spring 2014 production.

July  '13

 To bring our play reading season up to the summer recess we read The Pillowman by Martin McDonagh.   

June  '13

Ahead of our autumn production we read A Chorus of Disapproval by Alan Ayckbourn .

May  '13

Agatha Christie's Witness for the Prosecution attracted a good crowd who provided a suitably dramatic gasp as the denouement was played out!

April  '13

 Anton Chekhov never goes out of fashion and this month we enjoyed two of his finest one act comedies or vaudevilles,  The Proposal and The Bear.