Play Readings & Auditions


Our Frome Festival play for this year is Not About Heroes by Stephen MacDonald and it will be co-directed by Tina Gaisford-Waller and Dan Gaisford.

This moving drama charts the growth of an intense relationship between the confident, upper class Siegfried Sassoon and the stuttering, provincial Wilfred Owen. Weaving dialogue from their letters with their celebrated poetry, it elegantly pieces together the mysteries of this most unlikely friendship. In this WW1 centenary year, FDC has chosen this eloquent and touching play to remember those who fell and those who survived hell between 1914 and 1918.

It will be performed at the Frome Assembly Rooms on 10th, 11th & 12th July.


The cast consists of two men to play Sassoon and Owen aged between 25 and 35, approximately.

Auditions will take place on Wednesday 4th April at 2 Castle Street, Frome BA11 3BN and Tuesday 10th April at The Cornerhouse, Bath Street, Frome, BA11 1QA. If you intend to audition then PLEASE get in touch as soon as possible to advise which audition evening you will be attending.

Scripts are available for anyone in advance of the auditions on payment of a deposit. Please also note that cast scripts have already been obtained so there is no need for anyone to buy a script in advance.

For any more information please email


Play Readings:-

Our monthly play readings usually take place on the second Monday of the month and are held upstairs at The Cornerhouse situated at the top of Bath Street, Frome. Readings start at 7.45 p.m.  so arrive in good time, get a drink at the bar and head upstairs for a great evening. You don't have to be an FDC member to join in, and there's no pressure to read if you prefer just to listen.

9th April  2018

Our Autumn production this year will be George Bernard Shaw's Pygmalion, so here's an opportunity to familiarise ourselves with this 20th century classic. More details to follow....

12th March  2018

By popular request, we have another evening of dramatic monologues, and an opportunity to flex your performing muscles in a friendly and supportive environment.  Some of you have already booked yourself in, but do get your name to us as soon as you can if you want to be guaranteed a slot. (Follow 'Contacts' at the top of this page). If we have advance notice of what you wish to perform, it also helps programme the event. The emphasis is on performance, so do try to learn a short piece if you can; it makes for a more exciting evening, but dont feel its essential. The brief is to choose a short piece from the dramatic repertoire, (classic, contemporary, play, film, etc), ideally no more than four minutes long. Feel free to edit if you need to. There will be texts available on the night if you prefer to pick something at random, and of course you're welcome just to listen...

12th February 2018  

Another strong but compromised woman takes centre stage this month, as we read Medea, Euripides tale of betrayal and revenge, probably the Greek tragedy most frequently performed in the modern era. Still shocking, two and a half millennia after its first performance, this powerful examination of exile and gender has been described as being simultaneously feminist and misogynist, which is surely, an extraordinary tribute to the playwright. Medea, discarded by her husband, the hero Jason, struggles to take control of her own life in a strange land, and a society governed by men, in the only way she can. The strength of the original writing, and the quality of poet Robin Robertson's modern translation, mean that she remains a nuanced and sympathetic character, even as she plots unspeakable acts of violence.

 January '18

Our first reading of the year was Top Girls, by Caryl Churchill. First produced in the third year of Thatcher's premiership, it has retained its relevance as an examination of the price paid to gain power, and the price of powerlessness. With great dramatic skill, and an absence of heavy-handed dogma, Churchill raises questions of gender, politics, and personal choice. 

November '17

An entertaining reading of Graham Linehan's 2011 stage adaptation of Ealing classic, The Ladykillers.  In this delicious black comedy, a sweet little old lady, Mrs Wilberforce, is pitted against a ruthless gang of misfits, led by would-be criminal mastermind, Professor Marcus.   

October '17

A Voyage Round My Father, John Mortimer's emotionally delicate, autobiographical play about his blind, eccentric, Shakespeare-loving, barrister father, drew a good crowd of readers, including several welcome new faces, and gave us a good evening's entertainment.

September '17

Laura Wade's Colder Than Here, examines, with great tenderness, humour and sensitivity, how a family start to come to terms with the imminent death of the wife and mother, as they tentatively find new ways to communicate with each other.

June '17

We had fun with Patrick Barlow's Olivier Award-winning adaptation of John Buchan's classic, 1915 spy novel, The 39 Steps. The women were beautiful, the villains were deadly, the upper lips were stiff, and the accents cut-glass.

May '17

In this new era of "Fake News," Howard Brenton and David Hare's, Murdoch-inspired 1985 satire, Pravda, turned out to have been prophetically accurate, as well as highly entertaining.

April '17

Calum Grant led a reading of Richard Bean's highly successful One Man, Two Guvnors, which he will direct for the club in the autumn. Adaptated from Carlo Goldoni's Commedia dell'arte original, Servant of Two Masters, it relocates the action from 1743 to Brighton in the early sixties.  

 March '17

Instead of reading one play, we invited you to prepare a dramatic monologue to share, and enjoyed one of our busiest, and most exciting Monday nights. 21 pieces, all under five minutes, varying from Shakespeare to Victoria Wood, (and including several originals), all delivered with passion, humour and panache, to a very appreciative audience. Take note; we will definitely be doing this again, so why not start learning something for the next one, now

February '17

It's official; the Northumbrian accent really is the hardest to reproduce, particularly for the soft southerners amongst us. Hats off, then, to the readers who made such a good job of Lee Hall's moving, and very funny, The Pitmen Painters,  the true story of the Ashington group of coalminers who achieved artistic recognition in the 30s and 40s, and now have a permanent gallery dedicated to their work.  

January '17

We tackled Tony Harrison's The Trackers of Oxyrynchus. High and low culture, hilarity, horror, and Yorkshire accents - but we stopped short of the clog dancing and the extravagant phallii.

November '16

Our last reading of the year was Henrik Ibsen's deeply weird late masterpiece, The Master Builder. 

 October '16

By popular demand, we returned to, (and still didn't finish), Craig Taylor's One Million Tiny Plays About Britain, acting out a bewildering, and highly entertaining cast of characters and situations. 

September '16

We read two of the many radio dramas Louis MacNeice created for the  BBC, cited as "the best creative work done for the medium in its twenty year heydey, before television captured the audience."

June '16

We enjoyed Tartuffe, in Roger McGough's jolly verse adaptation, which finds every drop of humour in Moličre's tale of a family divided by the devious, titular interloper.

May '16

"Unarguably one of the best dramas of the twenty-first century," said the Guardian, and Jez Butterworth's Jerusalem didn't disappoint an enthusiastic crowd of readers, who relished the strong characters, (and the Wiltshire vernacular).

April '16

Half a dozen of us gathered to read Caryl Churchill's Cloud Nine; a surreal, frequently very funny and forthright exploration of colonialism, sexual repression and conditioning, in which wives are played by men, and sons by women.

March '16

Alan Bennett's adaption of Kenneth Grahame's classic, The Wind in the Willows, gave us a great evening's entertainment, and many thought it a candidate for a future production. Particularly memorable was the whole cast's redition of "In the Bleak Midwinter" - as fieldmice... 

February '16

With David Riley planning to direct Peter Shaffer's The Private Ear as our summer festival production, we read it with its usual companion piece, The Public Eye. They're bittersweet comedies, exploring the tension between order and passion. 

January '16

A Month in the Country by Ivan Turgenev. We read the Emlyn Williams version. This 'passionate, moving comedy', which is on our list of possible future productions, contrasts the genteel languor of country life with the desperate passions beneath the surface. 

November '15

We enjoyed Craig Taylor's One Million Tiny Plays About Britain, a collection of vignettes, each no more than a page or so long, funny, poignant and thought-provoking in turn. As we only got about half way through, there was a general feeling that we would return to these in 2016.

October '15

Harold Pinter's once reviled, now revered, The Birthday Party was led by Cheryl St George, and prompted some interesting discussion

September '15

Steve Scammell led us through The Tempest, which he will direct for the club in Autumn 2016. Shakespeare's late masterpiece offered plenty of magic, humour and some imaginitive characterisation. 

July '15 

Constellations, Nick Payne's award-winning two-hander about free will and friendship, quantum multiverse theory, love, death and honey, impressed us all. It's a short piece, packed with ideas, full of humour, and with a real heart to it. We introduced a suitably random structure to the reading...


June '15

A noble attempt to get to grips with J.M. Synge's interpretation of rural Irish vernacular, as we read The Playboy of the Western World, enjoying its rich mix of tragedy and comedy, and wonderful language.

 May '15

 A couple of dozen of us read Keith Dewhurst's adaption of Lark Rise in a variety of Oxfordshire-ish accents, enjoyed the music, sang lustily, and wondered how this would play in Frome as a promenade-style production.                           

April '15

 After a few hefty dramas, we lightened the mood somewhat.....with a tale of death and the supernatural! Noel Coward's 1941 perennial farce Blithe Spirit is currently on our list of possible productions so we took the opportuntiy to unleash a few hidden Madame Arcartis. It was a great read - who would've foreseen that!

March '15

 Keely Beresford led a reading of Thornton Wilder's American classic, Our Town. It was extremely well attended and very much enjoyed. One to watch perhaps in respect of future FDC productions.........


February '15

  Tina Waller led a reading of The House of Bernada Alba, the final, and aguably the finest of Federico Garcia Lorca's plays.

January '15

Laurie Parnell led a fast-moving, wildly funny and bitingly satirical reading of Accidental Death of an Anarchist by Dario Fo.

 November '14

Calum Grant led a reading of Say Goodnight to Grandma by Colin Welland, a wry modern comedy set in't North

October '14

We read Mrs Warren's Profession, by George Bernard Shaw, and thoroughly enjoyed this superb piece of writing and the sexual politics which inspired it.

September '14

We had an enormous turn-out for Henry Fielding's Tom Jones - almost ran out of chairs! A great read, obviously very popular, and bodes well for the Club's Spring Production next year.

 June  '14

There were 10 of us to read Amadeus by Peter Shaffer; an ideal number, which gave everyone a chance at the very demanding role of Salieri.  A thrilling evening.

May  '14

Another great turnout for Arcadia by Tom Stoppard, led by Laurie Parnell. 

April  '14

The Visit by Friedrich Durrenmatt, led by Mike Walker - an unusual and thought-provoking play; not to everyone's taste but we certainly appreciated the quality of the writing.

March  '14

Ring around the Moon by Jean Anouilh in the translation by Christopher Fry - very well attended and much enjoyed.

February  '14

Jump to Cow Heaven by Gill Adams. This reading of our 2014 Frome Festival production to be directed by Tina Waller gave us a foretaste of a great production later in the year.

January  '14

The Ruling Class by Peter Barnes occupied a record turnout of readers in the New Year.

November  '13

Comfort & Joy by Mike Harding got us well and truly in the mood for our own Christmas celebrations!

October  '13

We read and enjoyed Two Planks & A Passion, by Anthony Minghella.

September  '13

After our summer break we read Abigail's Party by Mike Leigh which will be our Spring 2014 production.

July  '13

 To bring our play reading season up to the summer recess we read The Pillowman by Martin McDonagh.   

June  '13

Ahead of our autumn production we read A Chorus of Disapproval by Alan Ayckbourn .

May  '13

Agatha Christie's Witness for the Prosecution attracted a good crowd who provided a suitably dramatic gasp as the denouement was played out!

April  '13

 Anton Chekhov never goes out of fashion and this month we enjoyed two of his finest one act comedies or vaudevilles,  The Proposal and The Bear.